Suzanne Syeda Shah's poem explores her complicated, strained relationship with her mother, and the role their shared faith has played in her life.
i.
twenty seven
i return
to the house
at the corner I grew up in
weeds too high to mow
down next to the papaya tree waits
abbu’s gray toyota pickup
he’s dead for eight
years i wanted to step
through the front door
right foot first always you taught me
the way of the Prophet.
ii.
fourteen i run
into my room no
lock on my door can’t stop
the umbrella you slam on to my
eyes blue lashes clumped too
hard to separate rape and
consensual sex no
one taught you the difference
my honor’s lost you say
now i am trash.
iii.
eight
you stand i stand
feet to feet
a part of Allah we wrap
tuck pin my hair in bright yellow red green
cotton hug my skin
warm from your touch.
iv.
two
too small to climb
up you hold me from falling
down i flip through these photos
show you smile laugh
your fingertip kisses
stain my fat cheeks
pink.
v.
can’t count all the years
of distance from america to bangladesh
you pour dal over my rice
steams my face your hands
small worn damaged
scrub floors till the dirt
browns the cloth
my hands soft and privileged
american child i know
the servants the lush fabrics the mansion
you left behind for
eight-fifty an hour at
gas stations for my american life i know
this struggle this work
is this when you forget
to love me.
vi.
years of threats
my obedience for your love
came with limits
i broke when i married my Bilal
you promised i would become a prostitute
on the streets i wonder
how paradise is at your
feet step on my husband’s islam
too black for Allah you yell
not the way of the Prophet
you forget
my need for a mother
i become an orphan
follow onto his footsteps.
vii.
my unborn daughter
can’t protect you at every
corner you can always
turn to me i promise
i wait i wait i wait
for your hands to reach mine
and i will reach back.
I am a Bengali (almost American) Muslim woman born in Saudi Arabia and grew up in Los Angeles. Although I have been writing poetry since age 10, my passion and talent truly evolved in college at UC Berkeley in June Jordan’s Poetry for the People. I prefer poetry over fictional writing or prose because it's natural for me to write what I know. Growing up in the Valley of Los Angeles I didn’t have any Bengali or Muslim friends. As the youngest of three, my parents pushed education on me as soon as we immigrated to America when I was 4. Growing up I struggled with my identity. In elementary school I wanted to be white because all of my friends were white and my mom made me feel as though my skin was too dark. In junior high, I went through a "chola" phase when I made Black and Latino friends. In high school, I began discovering who I truly was. At age 27, the discovery of my various identities; American, Bengali, Muslim, woman, artist, medical student, wife, and daughter has yet to end. Like many of my work, this piece is inspired by my mother. My uncles say I look just like her and my husband, hearing only stories of my mother, swears I act like her. My mother always made sure I had food, clothes, and any other materials I needed. From age 8, she assured me that I will always have this basic sustenance as long as I obeyed everything she said. The consequence, she would leave me in the streets of LA and move back to Bangladesh. This was tested when I brought home my first black friend resulting in her locking me in the house. My father protected me from my mother's irrationalities. My mother taught me how to pray and fast and my father taught me how to truly follow the essence of Islam. When I was 19 and my father passed away, my mother’s actions became even more troubling. She disowned me for marrying an African-American Muslim man at 20, and we haven't really talked since then. I tried to rebuild our relationship, but she refuses to accept me for who I am. Anytime I meet other Southeast Asians, they say, "Your parents must me so proud, married to a Muslim and becoming a doctor!" It's hard to tell them that my father is dead and my mother has forgotten my existence. This recent piece is a beginning of a new identity to add to my list, a woman without a mother and one day being a mother to my own daughter.
- Log in to post comments